Palette Poetry is an online literary journal that endeavors to uplift and platform emerging and established poets.
The world is eager for poets. In 2016, more people spent their hard-earned money on poetry books than in any other year on record. When times are dark, the world often turns to poets for insight and for language reanimated. Palette Poetry is here to paint our small part of the world with truth through poetry, as imaginative, eviscerating, and provoking as truth can be.
Our mission is to create a nourishing and brave space for poetic voices, whether new, emerging, or established, especially those that often go unheard or unrecognized. Our goal is to recognize and publish the most innovative and exciting poetry we can.
Palette firmly believes writers should be compensated for their work and is a paying market. We pay $50 per poem accepted. We do not charge fees for Featured Poetry submissions and offer a quick-response submission option for writers of historically marginalized identities. All creative work published in Palette comes through our submission windows; we do not solicit poetry whether for Featured Poetry or for our contests.
By submitting to Palette Poetry, submitters agree to receive correspondence about future work and submission opportunities from Palette Poetry. You can unsubscribe at any time.
**If you haven't already, please verify your email address with Submittable for more consistent communication.**
Palette Poetry does not consider or review AI-generated work. Submissions utilizing AI tools will be automatically declined.
Back by popular demand, the Rising Poet Prize is returning this spring! Palette Poetry invites all poets who have not yet published a full-length collection to send us your best poems. We are looking to celebrate new and exciting work, and we hope to shine a light on up-and-coming poets.
The judge for this prize is Xochitl-Julisa Bermejo, who asks submitters to consider the following:
“When you sit at your desk to create, what are the memories, images, and moments that rise to the front? What are the words, people, places that insist on being brought to the light? In our current chaotic state, I'm hungry, like many of us, for clarity, craft, complexity, and above all else, love. As Audre Lorde writes in ‘Litany for Survival,’ ‘when we are silent / we are still afraid // So it is better to speak / remembering / we were never meant to survive.’
“I'm interested in reading what must be spoken and expressed through sound, color, language, line, and more. Carolyn Forché writes in the anthology Against Forgetting: Twentieth Century Poetry of Witness, ‘Poetry, in order to be the witness of lived experience, of breath, will have to resort to a language more suitable to the time… Extremity, as we have seen, demands new forms or alters older modes of poetic thought. It also breaks forms and creates forms from these breaks.’ We are in a moment of extremes that is pushing many to their breaking point, but we as artists have the privilege to take that pressure and mold something new. What newness are you knitting from this moment? I'd love to see!”
—Xochitl-Julisa Bermejo
Submissions are open from February 9, 2026 – April 12, 2026. Palette’s editors will choose the ten finalists and any honorable mentions that warrant extra attention. Our judge will then select the winner and runners-up for publication. The winner will be awarded $3,000, publication, and a brief interview in Palette Poetry. Second and third place will receive $300 and $200, respectively, as well as publication. Finalists may also be considered for publication in our Featured Poetry category.
Xochitl-Julisa Bermejo is the daughter of Mexican immigrants and the author of Incantation: Love Poems for Battle Sites (Mouthfeel Press) and Posada: Offerings of Witness and Refuge (Sundress Publications). A former Steinbeck Fellow and Poets & Writers California Writers Exchange winner, she’s received residencies from Hedgebrook, Ragdale, Yefe Nof, Jentel, and National Parks Arts Foundation in partnership with Gettysburg National Military Park and Poetry Foundation. Bermejo's poetry and essays can be found at Acentos Review, Huizache, LA Review of Books, The Offing, [PANK], Santa Fe Writers Project, and other journals. Her poem “Battlegrounds” is featured in Academy of American Poets’ Poem-a-Day, On Being’s Poetry Unbound, and Poetry Unbound: 50 Poems to Open Your World (W.W. Norton). Her most recent essay on the writing life, “How to Write a Love Poem,” can be found at Cleaver Magazine. She is the director of Women Who Submit and teaches poetry and creative writing with Antioch University, MFA and UCLA Extension. Inspired by her Chicana identity, she works to cultivate love and comfort in chaotic times.
Submission Guidelines: Please read carefully!
- For this prize, we are only accepting unpublished work from new and emerging poets: poets without a full-length collection published at the time of submission. Poets with no publication history are especially encouraged to submit. Poets with only chapbooks published are also eligible. Poets with self-published full-length collections, however, are ineligible.
- Submissions are open internationally, to any poet writing in English—inclusion of other languages is welcome, as long as the poem is largely written in English. At this time, Palette does not accept translated work unless you are also the author of the original poem.
- Your submission must be no more than three poems and under ten pages. Please submit all your poems in ONE document. Please begin each poem on a new page and include each poem’s individual title.
- We do accept multiple submissions (of one to three poems apiece), but each submission must include the $20 reading fee.
- Writers from historically marginalized groups are invited to submit for free until we reach the fifty free entries budgeted for this particular contest.
- We accept simultaneous submissions—just please send us a note if your work is accepted for publication elsewhere.
- We are only accepting unpublished work. If your poem has been published elsewhere, even on a blog or on social media, it is not eligible.
- DO NOT INCLUDE your name or identifying information in the document OR submission title box.
- Please include a brief cover letter in the cover letter box with your publication history, if any. This text box is where you can include your name and/or bio! If you select the editorial feedback option, this cover letter is also where you can name which poem you’d like feedback on. To safeguard our reading staff, please include content warnings in the cover letter, if applicable, as well.
- Review our FAQ page for frequently asked questions.
- NOTE: If after submitting you notice an error in your submission, please message us rather than withdrawing and resubmitting your submission. We can open it to editing once so you can correct the error.
- Palette Poetry does not accept AI-produced work.
- Contest closes April 12, 2026. Submitters will be notified of their submission status within twelve weeks of the contest closing date.
Discount for Submitters
As a thank you for your support for Palette, we’d like to offer a 10% off discount code on a writing class from The Writing Salon. Find a class and use the code included in the confirmation message at checkout.
Editorial Feedback Option
This option costs $59 and will provide you with two pages of detailed and actionable feedback on a poem of your choice from the submission, including suggestions for future submissions. The three-letter option costs $149 and will provide you with six pages of detailed and actionable feedback on a poem of your choice from the submission, including suggestions for future submissions, from three separate guest editors. Our guest editors are paid a significant portion of the fee and are all incredibly astute poets.
Back by popular demand, the Rising Poet Prize is returning this spring! Palette Poetry invites all poets who have not yet published a full-length collection to send us your best poems. We are looking to celebrate new and exciting work, and we hope to shine a light on up-and-coming poets.
The judge for this prize is Xochitl-Julisa Bermejo, who asks submitters to consider the following:
“When you sit at your desk to create, what are the memories, images, and moments that rise to the front? What are the words, people, places that insist on being brought to the light? In our current chaotic state, I'm hungry, like many of us, for clarity, craft, complexity, and above all else, love. As Audre Lorde writes in ‘Litany for Survival,’ ‘when we are silent / we are still afraid // So it is better to speak / remembering / we were never meant to survive.’
“I'm interested in reading what must be spoken and expressed through sound, color, language, line, and more. Carolyn Forché writes in the anthology Against Forgetting: Twentieth Century Poetry of Witness, ‘Poetry, in order to be the witness of lived experience, of breath, will have to resort to a language more suitable to the time… Extremity, as we have seen, demands new forms or alters older modes of poetic thought. It also breaks forms and creates forms from these breaks.’ We are in a moment of extremes that is pushing many to their breaking point, but we as artists have the privilege to take that pressure and mold something new. What newness are you knitting from this moment? I'd love to see!”
—Xochitl-Julisa Bermejo
Submissions are open from February 9, 2026 – April 12, 2026. Palette’s editors will choose the ten finalists and any honorable mentions that warrant extra attention. Our judge will then select the winner and runners-up for publication. The winner will be awarded $3,000, publication, and a brief interview in Palette Poetry. Second and third place will receive $300 and $200, respectively, as well as publication. Finalists may also be considered for publication in our Featured Poetry category.
Xochitl-Julisa Bermejo is the daughter of Mexican immigrants and the author of Incantation: Love Poems for Battle Sites (Mouthfeel Press) and Posada: Offerings of Witness and Refuge (Sundress Publications). A former Steinbeck Fellow and Poets & Writers California Writers Exchange winner, she’s received residencies from Hedgebrook, Ragdale, Yefe Nof, Jentel, and National Parks Arts Foundation in partnership with Gettysburg National Military Park and Poetry Foundation. Bermejo's poetry and essays can be found at Acentos Review, Huizache, LA Review of Books, The Offing, [PANK], Santa Fe Writers Project, and other journals. Her poem “Battlegrounds” is featured in Academy of American Poets’ Poem-a-Day, On Being’s Poetry Unbound, and Poetry Unbound: 50 Poems to Open Your World (W.W. Norton). Her most recent essay on the writing life, “How to Write a Love Poem,” can be found at Cleaver Magazine. She is the director of Women Who Submit and teaches poetry and creative writing with Antioch University, MFA and UCLA Extension. Inspired by her Chicana identity, she works to cultivate love and comfort in chaotic times.
Submission Guidelines: Please read carefully!
- For this prize, we are only accepting unpublished work from new and emerging poets: poets without a full-length collection published at the time of submission. Poets with no publication history are especially encouraged to submit. Poets with only chapbooks published are also eligible. Poets with self-published full-length collections, however, are ineligible.
- Submissions are open internationally, to any poet writing in English—inclusion of other languages is welcome, as long as the poem is largely written in English. At this time, Palette does not accept translated work unless you are also the author of the original poem.
- Your submission must be no more than three poems and under ten pages. Please submit all your poems in ONE document. Please begin each poem on a new page and include each poem’s individual title.
- We do accept multiple submissions (of one to three poems apiece), but each submission must include the $20 reading fee.
- Writers from historically marginalized groups are invited to submit for free until we reach the fifty free entries budgeted for this particular contest.
- We accept simultaneous submissions—just please send us a note if your work is accepted for publication elsewhere.
- We are only accepting unpublished work. If your poem has been published elsewhere, even on a blog or on social media, it is not eligible.
- DO NOT INCLUDE your name or identifying information in the document OR submission title box.
- Please include a brief cover letter in the cover letter box with your publication history, if any. This text box is where you can include your name and/or bio! If you select the editorial feedback option, this cover letter is also where you can name which poem you’d like feedback on. To safeguard our reading staff, please include content warnings in the cover letter, if applicable, as well.
- Review our FAQ page for frequently asked questions.
- NOTE: If after submitting you notice an error in your submission, please message us rather than withdrawing and resubmitting your submission. We can open it to editing once so you can correct the error.
- Palette Poetry does not accept AI-produced work.
- Contest closes April 12, 2026. Submitters will be notified of their submission status within twelve weeks of the contest closing date.
Discount for Submitters
As a thank you for your support for Palette, we’d like to offer a 10% off discount code on a writing class from The Writing Salon. Find a class and use the code included in the confirmation message at checkout.
Editorial Feedback Option
This option costs $59 and will provide you with two pages of detailed and actionable feedback on a poem of your choice from the submission, including suggestions for future submissions. The three-letter option costs $149 and will provide you with six pages of detailed and actionable feedback on a poem of your choice from the submission, including suggestions for future submissions, from three separate guest editors. Our guest editors are paid a significant portion of the fee and are all incredibly astute poets.
This event is open for registration from January 26 – March 12, 2026.
Working on your debut chapbook? Maybe you’re looking for writing exercises to help with developmental edits, or advice on where to query your completed manuscript. If so, we invite you to our Chapbook Manuscript Workshop, moderated by Joshua Roark, Palette's founding editor, and joined by two previous chapbook prize winners, Ava Chen and Jessie Keary, along with poetry editor Xander Gershberg.
In our two-hour virtual discussion and workshop on Friday, March 13, 2026 at 7 PM EDT / 4 PM PDT, our panelists of writers and editors will share their experiences and insight to help you on your chapbook journey. You will have the opportunity to hear their advice on writing/editing/publishing chapbooks, learn tips and tricks to troubleshoot any issues with your current manuscript, and ask any questions during the Q&A.
Registration costs $20. You can register below through Submittable. The event Zoom link will be sent in the confirmation email from Submittable. A recording of the event will be distributed to all registrants, so we encourage you to sign up even if you're unable to attend the night of the event.
We hope to see you then!
meet our panel:
Joshua Roark works as the main faculty for Antioch University Los Angeles’ Post-MFA Certificate in the Teaching of Creative Writing, as well as an infrequent Poetry Mentor for their MFA program. He completed his own MFA in Poetry with Antioch’s low-residency program in 2017. After founding Frontier Poetry in that same year, Joshua went on to become the Editorial Director of Discover New Art and helped launch several more literary magazines and platforms, including Palette Poetry, publishing many books by incredible artists, serving writers of every genre and style. Joshua Roark’s book of sonnets about teaching middle school as a Teach for America teacher, Put One Hand Up, Lean Back, was published by Unsolicited Press. In addition to his poetry, Joshua is a screenwriter and film producer in Los Angeles and most recently produced Dead Deer High, a feature film based on his original screenplay, set to premiere in 2026. He currently lives in Joshua Tree, California, and directs the community of writers called PocketMFA.
Ava Chen is a writer from Massachusetts. Her debut chapbook Habitual Prayer was chosen by Danez Smith as the winner of the 2023 Palette Poetry Chapbook Prize. Her writing has been recognized by The Adroit Prizes, YoungArts, Bennington College, and more, and has appeared in Sixth Finch, The Rumpus, Gigantic Sequins, and elsewhere. She hopes you have a spectacular day.
Jessie Keary (they/he) is a trans, neurodivergent writer and artist from the Midwest, US / Wahzhazhe land. Their chapbook, Explaining a Dress: Transfeminine Erasure & Vindication, was chosen for publication by Nancy Miller Gomez in Frontier Poetry’s 2024 Debut Chapbook Contest. Jessie's poetry can also be found in Transmasculine Poetics (Sundress Publications), Sweeter Voices Still (Belt Publishing), and various corners of the internet.
Xander Gershberg (he/him) is a poet, editor, and educator. His poetry is found in FENCE, The Journal, Plume, TAB Journal, Inverted Syntax, Great River Review, Poetry Online, and elsewhere. He is an editor on Spout Press's editorial collective and previously served as the senior poetry editor for MAYDAY. He received his MFA in poetry from Virginia Tech.
our itinerary:
- Panel Discussion (45 minutes)
- Workshopping Practice & Exercises (30 minutes)
- Q&A (30 minutes)
Submissions for our Featured Poetry category are open year-round to poets at any stage of their careers. We highly encourage new and emerging poets to submit.
We are thrilled to offer significant payment to our partner poets: $50 per poem, up to $150. We are proud to be paying for published pieces but will be highly selective in our choices for publication.
We also warmly invite under-represented and marginalized writers to submit. Our aim is to be an accurate representation of the diversity of our beautiful community. Your voice is valued here.
- Submissions are open internationally, to any poet writing in English—other languages are okay to include, as long as the poem is largely in English.
- Please do NOT include your name or identifying information anywhere within your packet of poems. We do not read submissions anonymously but prefer identifying information to be included in the cover letter, not the packet of poems.
- We accept simultaneous submissions, but please send us a note if your work is picked up elsewhere (we want to say congrats!)
- Submission must be no more than 5 poems and must not exceed 10 pages.
- We do not accept multiple submissions. Please submit all your poems in ONE document.
- Please include a cover letter with your publication history, if any.
- Expect around 3 months for a response. Please do not ask for an update on your submission until four months have passed.
Dear poets,
The 2019 Diversity in Publishing survey found that, on average, 80% of decision-makers in the publishing industry are white. This inevitably creates systematized discrimination in terms of who gets published—without active and deliberate measures, people of color will continue to be marginalized. Important, innovative voices will continue to be passed over and dismissed.
We at Palette Poetry hope to use our platform to actively begin demolishing the discriminatory systems that pervade the publishing industry. To that end, we welcome Black writers, Indigenous writers, and writers of color (BIPOC) to submit through this category for a quick decision made directly by the editors. We'll do our best to return a decision on your poetry within 2-4 weeks.
Sending every good wish your way,
The Palette Poetry team
Guidelines:
- Submissions of unpublished poems are open internationally, for historically marginalized BIPOC writers ONLY.
- We accept simultaneous submissions, but please send us a message via Submittable if your work is picked up elsewhere.
- Submissions must be no more than 5 poems and must not exceed 10 pages.
- We do not accept multiple submissions. Please submit all your poems in ONE document.
- Please include a brief cover letter with your publication history, if any.
- Expect 2-4 weeks for a response.
- Publication in our Featured Poetry series includes a $50 per poem payment.
